RP001 - DIGITAL FLUX
24_P004 - WAVEBAND INTRUSION (TBA)
23_P004 - DO YOU EVEN SPEAK GAUSSIAN?
22_P006 - OHNMACHT
21_P005 - ISTANBUL DELIRIUM
20_P002 - ADBUSTING
RP_001
DIGITAL FLUX
In a more general sense, "flux" is used to describe a state of constant change or flow. For example, someone might say they are in a state of flux if they are experiencing frequent changes or uncertainties in their life or environment.
SYNOPSIS:
Exploring the seamless relationship between technology and performance art, we integrate sensor elements to enrich and rediscover the performer's experience. Movements, captured by gyro and acceleration sensors, link to triggers dynamically controlling sound and light composition on stage.
The performance artist breaks free from the conventional "marionette" role, no longer solely interpreting sound. They transform into a self-controlled entity, rediscovering limb nuances and new functions. In this liberated state, the performer orchestrates movements and actively composes the light and soundscape.
Choreography envisions the performer as an instrument for both light and sound, departing from traditional norms. Microcontrollers, attached strategically to limbs, communicate through OSC over a local WiFi network. Transmitted motion data, translated by various programs, dynamically alters on-stage light and sound.
RESEARCH ASPECT:
This investigation reimagines movements and the body in performance art, focusing beyond aesthetics to a fundamental, functional level, challenging traditional perceptions of movement in performance.
The captivating discoveries from this exploration were previously shared with an eager audience during a "Work in Progress" showcase. For the upcoming graduation project, additional research will be conducted on the matter.
TIMESPAN AND WORKING METHODS
PART1 (1-2 MONTHS):
Conceptualization of the interaction model, design of a prototype to provide the performer with a basic sense of the technology for the start of the movement-based research (in close communication with the performance artist), integration of basic light and sound reactions, program-based design of parameters that respond to movement inputs, physical fabrication of microcontrollers, attachment of sensors. Design and fabrication of a casing that allows comfortable wear of the microcomputers on the body but is durable enough to withstand heavy friction as well as movements on the rope.
PART2 (4 MONTHS):
Analysis of the interaction model of the prototype, program-based adjustment of parameters in consultation with the performer, calibration of interactive parameters, stress testing of the software and hardware to avoid connectivity issues, optimization of light and sound patterns, possible adjustments to the casing.
Initiator, Concept, Technical Director, Light- & Soundcomposition, Code, Manufacturing:
Orkan-Kaan Piskin
Art Director, Performance Artist, Choreographer:
Rixa Rottonara (ROTTENART PRODUCTIONS)
Video Director, D.O.P. & Editor:
Ed James Harding
Administrative Assistant:
Sarah Düsterwald
Technical Support:
Piotr Lemieszczuk
Helping Hands:Maik Bauman
Maik Baumann
Elihu Ashong
FUNDED BY: