Exploring perception and reality, shifting from student life to transcending boundaries, inspired by McKenna's insights. Based on an interview of Terence McKenna from his Interview: “What is reality?”
DESCRIPTION:
“Dissociation” is an interactive media case study by Kaan Orkan Piskin which explores the boundaries of perception and the fluid nature of reality, as inspired by Terence McKenna's thought-provoking interview, "What is Reality?". The piece utilizes 3D renders of a student's environment at ArtEZ in Arnhem, offering a sensory journey that begins in the familiar surroundings of everyday student life. As the viewer assumes the student's perspective, the scene gradually shifts, breaking free from the confines of the physical world and transcending through the ceiling, eventually hovering above the university.
This dissociative movement symbolizes a break from ordinary perception, invoking McKenna’s ideas about reality being a malleable construct shaped by consciousness. The artwork confronts viewers with the stark contrast between grounded, collective perceptions of reality and the potential for expanded awareness beyond the material world. Floating above the university, the viewer is given a metaphorical and literal “higher perspective,” offering a reflective moment about the nature of reality, education, and individual consciousness in relation to societal structures.
The piece invites an experiential re-evaluation of what we accept as real, challenging the audience to question the filters through which we perceive the world. By referencing McKenna's vision of an expanded consciousness, *Dissociation* becomes a multi-sensory exploration of how both technology and thought can reframe our understanding of space, presence, and the self.
ANALYSIS OF TERENCE McKENNA’s REFERENCES ON REALITY AND CONSCIOUSNESS:
In his interview *"What is Reality?"*, Terence McKenna delves into the nature of perception, consciousness, and the malleable nature of reality itself. He challenges the idea of a singular, objective reality, arguing that what we perceive as real is a construct shaped by our neurological and cognitive processes, as well as cultural influences. McKenna proposes that:
1. Perception Filters RealityHuman consciousness interprets reality through a filter of biology, culture, and language. This filter limits our access to the full spectrum of what "reality" might be, as it conditions us to see only what we are primed to see. 2. Subjectivity of ExperienceReality is more subjective than objective. What one perceives and interprets as "real" is highly dependent on individual consciousness, making every experience of reality unique to the individual. Consciousness itself is seen as a tool for navigating and creating reality rather than merely perceiving it. 3. Shamanic and Psychedelic InsightsMcKenna often references shamanic traditions and psychedelic experiences as avenues for breaking free from the constraints of ordinary perception. He believes that such experiences reveal the fluidity of reality and open doors to other dimensions or layers of consciousness. 4. Technology and RealityHe anticipates that the intersection of human consciousness and technology could expand our perception of reality. McKenna suggests that virtual realities and simulations could evolve our consciousness by providing new experiential landscapes, blurring the lines between what is "real" and what is constructed. 5. Questioning Consensus RealityMcKenna critiques the idea of consensus reality, which is shaped by societal norms and collective agreements. He suggests that humans are capable of transcending these shared perceptions through altered states of consciousness, where new realities can be accessed or even created.